I Saw You In My Dream -The Freudian Way

Last Year at Marienbad, 1961

Last Year at Marienbad, 1961

Elizabeth Taylor, “Boom!”, 1968

Elizabeth Taylor, “Boom!”, 1968

Louise Brooks, photo by Eugene Robert Richee

Louise Brooks, photo by Eugene Robert Richee

Sophie Calle, “Double Game”
The cover of Double Game depicts Calle enacting Maria Turner’s b day: “To be like Maria Turner I spent the day of Tuesday, March 10, 1998, under the sign of B for Big-Time Blonde Bimbo.” The accompanying photograph depicts Calle dressed as a blonde 1960s pinup girl, perched on a bed, looking coyly into the camera, surrounded by a menagerie of animals, over the caption “B for Beauty and the Bestiary, for Bat, Bantam, Boar, Bull, for Bug, Badger, Bray, Bellow, Bleat, Bark, for Beastly Birdbrain, for BB.” The photograph, we learn, is meant to mock a 1989 photograph of Brigitte Bardot, who “in recent years has taken her preference for the cause of animals over that of humans to the point of caricature.”

Sophie Calle, “Double Game”

The cover of Double Game depicts Calle enacting Maria Turner’s b day: “To be like Maria Turner I spent the day of Tuesday, March 10, 1998, under the sign of B for Big-Time Blonde Bimbo.” The accompanying photograph depicts Calle dressed as a blonde 1960s pinup girl, perched on a bed, looking coyly into the camera, surrounded by a menagerie of animals, over the caption “B for Beauty and the Bestiary, for Bat, Bantam, Boar, Bull, for Bug, Badger, Bray, Bellow, Bleat, Bark, for Beastly Birdbrain, for BB.” The photograph, we learn, is meant to mock a 1989 photograph of Brigitte Bardot, who “in recent years has taken her preference for the cause of animals over that of humans to the point of caricature.”

Marina Abramović, The Kitchen II - Homage to Saint Therese, silver gelatin prin, 2009

Marina Abramović, The Kitchen II - Homage to Saint Therese, silver gelatin prin, 2009

“Revenge is a dish best served cold”, painting by David Lyle (oil on panel)

“Revenge is a dish best served cold”, painting by David Lyle (oil on panel)

Rachel’s - First Self-Potrait Series, from the album “Music for Egon Schiele”

Sabine Hettner (Head in hands), photo by Wols (Wolfgang Otto Schulze), circa 1935

Sabine Hettner (Head in hands), photo by Wols (Wolfgang Otto Schulze), circa 1935

Subway, photo by Bruce Davidson

Subway, photo by Bruce Davidson

“Matching Cinematic Stills with Real Life”, Christopher Moloney, movie: “Annie Hall”

“Matching Cinematic Stills with Real Life”, Christopher Moloney, movie: “Annie Hall”